tag:blogger.com,1999:blog-8439053593442504602024-02-02T05:03:00.409-08:00The Afflicted Imageinfinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-843905359344250460.post-70959013793343796912011-04-09T16:23:00.000-07:002011-04-09T16:23:45.952-07:00Sian Bonnel<div class="separator" style="clear: both; text-align: center;"></div><span style="color: #351c75; font-family: Georgia,"Times New Roman",serif; font-size: large;">Every Dada</span><br />
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</div><div class="separator" style="clear: both; text-align: left;"><span style="color: #351c75; font-size: large;"><span style="font-family: Georgia,"Times New Roman",serif;"> Spring Clean </span></span></div><br />
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</div><div style="color: #351c75; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;">When Domestic Meets the Wild</span></div><div style="color: #351c75; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"> </span></div><br />
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<span style="font-family: Georgia,"Times New Roman",serif; font-size: large;"><span style="color: #351c75;">Serving Suggestion</span></span><br />
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</div><div class="separator" style="clear: both; text-align: left;"><b><span style="color: #351c75; font-family: Georgia,"Times New Roman",serif;">William Eggleston</span></b></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><br />
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</div><div class="separator" style="clear: both; text-align: center;"><span id="goog_2014452601"></span></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjnJ5hfNwKj2i_zexNI2iIAvU2-IxfS1at9fEg72625GyKFoTJ01OFWmSBYTdHQCy7fGpxnY3MH-whgtqhc8YlCDf9UmjzgvGrviYQ-G2x-XbQE-LR49_ggCShpu0tLcA2Nnn62VRwWos/s1600/smile.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><span id="goog_2014452602"></span></a></div>infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com0tag:blogger.com,1999:blog-843905359344250460.post-39705675855411429842011-01-25T17:16:00.000-08:002011-02-01T14:18:10.913-08:00pretty rubbish<span style="color: #444444; font-family: Georgia,"Times New Roman",serif;">I came across the incredible work of Stephen Gill in the photography magazine Foam. His collection 'Hackney Flowers' is composed of images he has taken and printed, then rephotographed having placed dried flowers, tape, twigs etc on them. </span><br />
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</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Not such pretty rubbish</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><span style="color: #444444; font-family: Georgia,"Times New Roman",serif;">The photographer and activist Chris Jordan creates images that stand as a direct critique of mass consumption and waste. </span><br />
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<div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">A Dark Shadow</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Tim Noble & Sue Webster. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
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Sahndi Schimmel Gold</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
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</div>infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com1tag:blogger.com,1999:blog-843905359344250460.post-52008825973723113202011-01-24T16:09:00.000-08:002011-01-25T16:52:52.522-08:00...Developments/..<div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">A while ago I was trying to explain my rather nebulous project to a friend. As he probed what I was getting at he mentioned the word <span style="font-size: large;">extraction</span> -my mind whirred as it added another dimension to the idea forming in my head. <b><span style="font-size: small;"><i>the action of taking out something, esp. using effort or force</i></span></b>. I’d been exploring the dynamic relationship between material object and immaterial meaning, how they construct one another, how altering the state or context of the object alters perception. Considering the concept of extraction made me think of the process, almost like a life-cycle, the manufactured object moves through, and the cycle of meaning that runs parallel. I wanted to look at how not only the physical substance was drawn out of the earth or out of other substances previously created, but how the meaning ascribed to them was also drawn out, extracted from a human bank of perception. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">The idea of extraction also got me thinking about how the camera extracts... that is it draws out both physical and immaterial substance; it extracts light, data and meaning from its subject, it extracts energy and creativity from its user, its product extracts attention and meaning from its viewer. I thought about how the camera extracts and relocates meaning; a car in a studio becomes an object of desire in a brochure, a tree on a hill becomes an artwork on a wall. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">Considering the extensive role of the photograph as an agent in the process of consumption, maybe I could explore the themes and concerns i've been mulling over (object/meaning/transition/extraction)though the photograph; the image as both a physical object created through process and changing in state, yet also as an immaterial site of process and transition of meaning.</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #674ea7; font-family: Georgia,"Times New Roman",serif;"><b>Edward Burtynsky</b></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8qMf7Z-CgoCOXpy75A99Efuo9WFCZJjVZ7GUVQEkNv0ZIPC5bnwjxtcIqzvOWyqsUdbJdCLTsNpP8H2rCekhzzPCWwyURWJa9l48VBXgXcqHeGlIIqNjCmBjY53j_-OSmT1eLKBQZSns/s1600/Picture+14.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="258" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8qMf7Z-CgoCOXpy75A99Efuo9WFCZJjVZ7GUVQEkNv0ZIPC5bnwjxtcIqzvOWyqsUdbJdCLTsNpP8H2rCekhzzPCWwyURWJa9l48VBXgXcqHeGlIIqNjCmBjY53j_-OSmT1eLKBQZSns/s320/Picture+14.png" width="320" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><i> "Nature transformed through industry is a predominant theme in my work. I set course to intersect with a contemporary view of the great ages of man; from stone, to minerals, oil, transportation, silicon, and so on. To make these ideas visible I search for subjects that are rich in detail and scale yet open in their meaning. Recycling yards, mine tailings, quarries and refineries are all places that are outside of our normal experience, yet we partake of their output on a daily basis.</i></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFWgDR7TOl6i6QgFTujSs0VrZO6_6F9fKCGD_fapxt9Nki3r-jS8o54W19AH2NzCLbnyp4OmYmm0D6Ard6WKjPrhfbhxbzeZdlBpDtSzmUSIkvov0R9XQY_EAhSqgyUQ1kqkFdmax8kjY/s1600/Picture+16.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFWgDR7TOl6i6QgFTujSs0VrZO6_6F9fKCGD_fapxt9Nki3r-jS8o54W19AH2NzCLbnyp4OmYmm0D6Ard6WKjPrhfbhxbzeZdlBpDtSzmUSIkvov0R9XQY_EAhSqgyUQ1kqkFdmax8kjY/s400/Picture+16.png" width="317" /></a><i> </i></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><i>These images are meant as metaphors to the dilemma of our modern existence; they search for a dialogue between attraction and repulsion, seduction and fear. We are drawn by desire - a chance at good living, yet we are consciously or unconsciously aware that the world is suffering for our success. Our dependence on nature to provide the materials for our consumption and our concern for the health of our planet sets us into an uneasy contradiction. For me, these images function as reflecting pools of our times."</i></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><i><span style="font-size: x-small;">Edward Burtynsky, on his collection ‘Exploring the Residual Landscape’. </span></i></div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYR-Nhj8k8NtVqnKs9WqQDvvgv5HpXeprYjhtuPsjA0PdFpCBAzjQFE17q6dBjP0bw9o7LP1t45znQb0TMzvjA1eQEStsjb1hEmyEYNzAPFC40uUr948qbiIFZZCVClfCyWe-tjVvg6gA/s1600/Picture+18.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="321" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhYR-Nhj8k8NtVqnKs9WqQDvvgv5HpXeprYjhtuPsjA0PdFpCBAzjQFE17q6dBjP0bw9o7LP1t45znQb0TMzvjA1eQEStsjb1hEmyEYNzAPFC40uUr948qbiIFZZCVClfCyWe-tjVvg6gA/s400/Picture+18.png" width="400" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgZlSxAMP_bWLBwWC1Spx4La81SGJYfF_3VMJXmfQOU4R8wV9W0hE1rJTOZlXkuwL2Uje1C_xkLoYHkjV5yY_4xXxc5LUCpjYnWISQ_M5ml5fIwIGI1KJGQrDQusN5asVoe65LOMh7Znsc/s1600/Picture+19.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br />
</a> </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">The images shown here are from his 2009 collection 'Oil'. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">His work highlights the often forgotten cycle of consumption, and draws on similar interest to my own in the juxtaposition of the aesthetic and ideological attraction to manufactured items and their important societal role, against the ugliness and destruction their production creates and ignores. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJGhMEyJzRdtyoryEWgXO9F9aPWIhRtsIh16Lp5fPaT5JKMdjpbBoIITCUJ50thIZ8VnlJxfwESdMjbJyTgGHdSQDevOjAicixa2cUfnLBpYhlaTJx6oWGU8WwZkczR4i_mape1It7Ryg/s1600/Picture+20.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="316" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJGhMEyJzRdtyoryEWgXO9F9aPWIhRtsIh16Lp5fPaT5JKMdjpbBoIITCUJ50thIZ8VnlJxfwESdMjbJyTgGHdSQDevOjAicixa2cUfnLBpYhlaTJx6oWGU8WwZkczR4i_mape1It7Ryg/s400/Picture+20.png" width="400" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">I want to challenge the ideas of desire, attraction and repulsion and</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">have been questioning material object, meaning and transition; how is the desired product<br />
contained within the realm of<br />
the attractive, but the its' </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">creation and aftermath abject? </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">Burtynsky highlights these contradictions through images of the ugly or ignored elements of production that are often strikingly beautiful. His images distance themselves from the societies, economies and cultures they serve, but as such they are anything but ignored. Instead, the absence of people and businesses that operate the process these images depict only serves to speak of them louder. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Pju2E3Hun64RIUmpHdk6xOt4AB4B_m2sOLAeizycxxjW5zn7r-IZ3ZMZTlw9lKgCALP1VzZrX0LmvmpGVEt60mYJWmzxybQhaVGzlhRw_cjQt1SyyTRG1d-E6B2yWFbfjuqziYZy8JI/s1600/Picture+23.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="254" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7Pju2E3Hun64RIUmpHdk6xOt4AB4B_m2sOLAeizycxxjW5zn7r-IZ3ZMZTlw9lKgCALP1VzZrX0LmvmpGVEt60mYJWmzxybQhaVGzlhRw_cjQt1SyyTRG1d-E6B2yWFbfjuqziYZy8JI/s640/Picture+23.png" width="640" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">‘Oil’ explicitly considers the impact of oil on the planet and society, linking the many fractions of its’ use; from drilling to urban sprawl to recycling. Like Burtynsky, I want to produce a set of images that connects such distant actions, objects and meanings, but with a more ironic tone, tactile sense and human focus. I want my images to bring the process of consumption into people’s lives, not off in a distant mine or skip, but to directly provoke by linking individual experience and action of one part of the process of object and meaning to the many other parts, in doing so highlighting the ironic vicissitude of seemingly fixed entities. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBqQNHf9_c8ZZuc3A78zymkNM2bBzHIAv8kAbHN8NjLjtMkqU2KPiJbmrCoM-_jWBt2CcquWja6XutZUH22p1638TFYlR9v4PYDETYarE2nn82qETRAQ8GEGcGy8ncZ5AioHJg30VRYzI/s1600/Picture+24.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="514" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgBqQNHf9_c8ZZuc3A78zymkNM2bBzHIAv8kAbHN8NjLjtMkqU2KPiJbmrCoM-_jWBt2CcquWja6XutZUH22p1638TFYlR9v4PYDETYarE2nn82qETRAQ8GEGcGy8ncZ5AioHJg30VRYzI/s640/Picture+24.png" width="640" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #674ea7; font-family: Georgia,"Times New Roman",serif;"><b>Jessica Backhaus</b></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><b><br />
</b></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">Backhaus is another photographer whose work considers similar themes to my own. Her collection ‘What Still Remains’ captures individual items – often junk, waste or leftovers – as traces of what was before. These items are generally isolated from context and become a synecdoche for the instance – action, event and person - that has created them.</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyxxMBCeTNdOPEZICMEjNaCQbcw3_cYTp5uQPMcOW-XlBOqS5Zuao1B8jy8fPLddcqs19E4p5JUDth8VACbqeaNEyHm-2aScs6iBMmQTwMh2uOSHtDWAwoGiEqz1pM-__hpaYINI0Y1zc/s1600/Picture+7.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="425" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiyxxMBCeTNdOPEZICMEjNaCQbcw3_cYTp5uQPMcOW-XlBOqS5Zuao1B8jy8fPLddcqs19E4p5JUDth8VACbqeaNEyHm-2aScs6iBMmQTwMh2uOSHtDWAwoGiEqz1pM-__hpaYINI0Y1zc/s640/Picture+7.png" width="640" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBgy3zPz4QLDDvabw8i3-TXb4di3v0dS91MrsDwBqYzz7GE3T7EVonvrGkq8oUQ3kb1j1i8ymsrk8g20Y1WAgi6Mj895380WKHMdYBW1As3r8S9ydZfheFFVaUXnFaOBisbXwScRNXvjg/s1600/Picture+8.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="308" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBgy3zPz4QLDDvabw8i3-TXb4di3v0dS91MrsDwBqYzz7GE3T7EVonvrGkq8oUQ3kb1j1i8ymsrk8g20Y1WAgi6Mj895380WKHMdYBW1As3r8S9ydZfheFFVaUXnFaOBisbXwScRNXvjg/s400/Picture+8.png" width="400" /></a> Backhaus’ images create a sense of time, evoking a sense of what has passed as she portrays each item as traces of a conscious human action; a crushed can or floating ball is not just any old junk but have been purposefully engaged with. That is not to say that the past action was aware of the trace, the beauty it left behind, in fact I feel the traces are salvaged – it is Backhaus’ camera that has found them otherwise uncovered from the past. As such the objects become the captured ghosts of memory, people existing, unknowing, in the bite marks of an apple or the print on a window. However, Backhaus’ images do not simply seek to celebrate the perpetrator, but present the objects as personal, intentional and beautiful instances in their own right. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznJrOuuFpk-um7ZzTgc4p3BUuXYa3l09MRGIm7jI_vWDwp9nsX3WOBS06o2LYMklGsWdx_FoxUf1PZht-MBb8kEihZdT89roTP0i3PZZm8UJPXAGS-R-SY3UU_xTfIjhKoEfkm1ESj3Q/s1600/Picture+11.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhznJrOuuFpk-um7ZzTgc4p3BUuXYa3l09MRGIm7jI_vWDwp9nsX3WOBS06o2LYMklGsWdx_FoxUf1PZht-MBb8kEihZdT89roTP0i3PZZm8UJPXAGS-R-SY3UU_xTfIjhKoEfkm1ESj3Q/s400/Picture+11.png" width="297" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
It also strikes me how ‘all that remains’ is isolated and protected from the future, freezing past instance in present vessel in a vacuum of time. The moments these images present seem still where they shouldn’t be, as if stolen away from the decisive action and persistent movement that has created them. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">Stunning in their simplicity, her images at first seem to create beauty in what’s been thrown away, left behind or overlooked – both literally and metaphorically. However, upon closer inspection we see that they do not focus on the moment of discarding, but on the moment of engagement.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzp0ZEYeaKyuxcSm0DYPYoagHWQ_KhNPSzFK36Z68gCrXB1BN4VPjMVZHFFe0KlSlthhbvQtz1sSetuwduQucIgB_ra8Mtr1jgj_UwCAQiad7yMJSPCBsKcIRPyBbDRKGIgS9EOAyNKEA/s1600/Picture+10.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzp0ZEYeaKyuxcSm0DYPYoagHWQ_KhNPSzFK36Z68gCrXB1BN4VPjMVZHFFe0KlSlthhbvQtz1sSetuwduQucIgB_ra8Mtr1jgj_UwCAQiad7yMJSPCBsKcIRPyBbDRKGIgS9EOAyNKEA/s400/Picture+10.png" width="305" /></a> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBSlEKhNh8z38xKxOTnMU0kmsqFLTeuEHCtcAMYLV8xZkSLLtfqhLyhrKvFK-HNe8HUqB-7XTXims5_48Nw2V1kcBk3oVc7BLbcW1DzWbnxfEJX_v-_JMKRz1_fWEGKC-SqxUMPhcjGwU/s1600/Picture+22.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div><div class="separator" style="clear: both; color: #666666; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhMyVUgXsRxC8lARUxzqG6Al2KvWnNSv6epMNkkYqvNaxocQ26yv7qjPF42h0oFPUG8ScqqbD_8M7cw2MLlNymY5CmrQq0l5OsGFUOl2u13pNk7ldu_1gipZv9bzg0AW-FRvtOTeK90EAs/s1600/Picture+12.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br />
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Her work has really inspired my thinking about the connection of activity, experience, object and trace. I’ve never seen such ‘mundane’ items portray such a sense of purpose, and want to consider this in my work. </div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">When taking pictures of ‘junk’ do I want to linger on their moment of interaction but also offer a counter perspective that scathes these items; for they could also be seen not as unique traces or intention and experience but of mindlessness, waste, extraction – a lack of beautiful experience. Her photographs have also inspired me to consider how images can create a sense of timelessness, isolation and stillness, and whilst I’d like to explore this I’d also like to consider the opposite by creating a sense of immediacy, connecting these fractions as part of a whole.<br />
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</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvscKucRWqBFRZHoPbdKNAAhf8FX100lKFRm5rqnOvlguaQv71lu-2xk91uLXKkhR9kde5YRSL-Lgvw8fgnZBkCgF5LSgGLRURIavHegvsmNcp9Y9esbIJt7LMUwjp3HxGIRFamFjMPj0/s1600/Picture+19.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvscKucRWqBFRZHoPbdKNAAhf8FX100lKFRm5rqnOvlguaQv71lu-2xk91uLXKkhR9kde5YRSL-Lgvw8fgnZBkCgF5LSgGLRURIavHegvsmNcp9Y9esbIJt7LMUwjp3HxGIRFamFjMPj0/s400/Picture+19.png" width="400" /></a></div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #666666; font-family: Georgia,"Times New Roman",serif;">I’m really keen to play with the idea of salvaging beauty and memory, yet carefully set it against the ugliness of forgetting or rejection, and although I feel these are themes somewhat more ethereal than those which I have focused, looking at Backhaus’ images have brought new and interesting perspective. </div><div style="font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="font-family: Georgia,"Times New Roman",serif;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBSlEKhNh8z38xKxOTnMU0kmsqFLTeuEHCtcAMYLV8xZkSLLtfqhLyhrKvFK-HNe8HUqB-7XTXims5_48Nw2V1kcBk3oVc7BLbcW1DzWbnxfEJX_v-_JMKRz1_fWEGKC-SqxUMPhcjGwU/s1600/Picture+22.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
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</div><div class="separator" style="clear: both; color: #351c75; font-family: Georgia,"Times New Roman",serif; text-align: left;"><b>Traces</b></div><div class="separator" style="clear: both; font-family: Georgia,"Times New Roman",serif; text-align: left;"><b><span style="color: #444444;"><br />
</span></b></div><div class="separator" style="clear: both; font-family: Georgia,"Times New Roman",serif; text-align: left;"><span style="color: #444444;">I began taking images of things I came across that struck me as imprints of a past action that had left a mark, an impression, a trace. I wanted to use the camera to expose and delight in all the tiny traces of each choice or action we undertake - whether they are purposeful or accidental. The power of photographing is that it pays attention to things that are otherwise overlooked and records </span><span style="color: #444444;">what would otherwise be forgotten. </span><b><span style="color: #444444;"><br />
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</a></div>infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com0tag:blogger.com,1999:blog-843905359344250460.post-38385526421518170002010-11-09T04:33:00.000-08:002010-11-09T04:33:43.015-08:00blood.<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5J6mrWkihvbAz58qTQ8CFhq8PY52vbek3jl16Tfx832kDBh-nuouEhW8UIArULgBbDJyMt6BzchVk7LJWjbc8a9IXEkCR5bctlsbO_oaBia19kOgKF9_izAoVVMuL5UnPqKD1a7FKp9E/s1600/volunteerBW.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"> </a></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNom9nvFPIAGtUaDPx4w3O84ZOIsUmJFdNJP7MJoJTp5KtHWmXKUUsCwJwdtW5ci2HlrvmBokn2M8vEiM_ZziiaKRcEBPrxr8G8if-o_nmh2knhWQEb0I8pqds00gs6PZM3yadpXWi_0/s1600/life.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="253" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQNom9nvFPIAGtUaDPx4w3O84ZOIsUmJFdNJP7MJoJTp5KtHWmXKUUsCwJwdtW5ci2HlrvmBokn2M8vEiM_ZziiaKRcEBPrxr8G8if-o_nmh2knhWQEb0I8pqds00gs6PZM3yadpXWi_0/s400/life.jpg" width="400" /></a><span style="font-family: Georgia,"Times New Roman",serif;"> Sat outside the union talking to some friends about my project and I noticed a 'Give </span><br />
<span style="font-family: Georgia,"Times New Roman",serif;">Blood' Van. I thought of hundreds of peoples blood driving about Leeds in little organised pouches - it made me laugh and it made me think. Precious to the point of sacred, personal to the point of unique, blood is generated by our bodies and fuels our functioning, our existence. I thought of each donor's blood having circulated through their brains, pumped in their hearts, pushed through their muscles, and now all sat in plastic besides one another on the start of a new journey. I had stumbled upon an example of meaning and context completely different to the arenas in which i'd been considering my theme before. </span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">I thought about the different meanings blood had depending on its context; in our bodies it's sacred and personal, in a donor bag it's a medical specimen, it's vital research material, healing, even life-saving, on the face of the boxer it's duress and power, on the face of a beaten woman it's torment and pain, on the pavement it's crime or brawl. </span><br />
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<span style="font-family: Georgia,"Times New Roman",serif;">The next day I photographed two of my housemates giving blood. I wanted to look at the organised movement of this 'substance', and photographed to a degree of abstraction; removing the blood from it's original context (the full person) to see it, and the process of it's extraction and transition, both more directly, and also to play of the whole process' slightly odd and removed feel it gives me. </span><br />
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<div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhClvBQCBGzngUe-KHNJbppAHzxu_XeMJ_DZq_DgH74DJ6D1owQFfSp5uJzRx-aao6n80GA2o8TJ5A0vMBXUTdiNqeBTZLoeV7Qqd4fteh_FmEsHsGE3bPIdaUiTusz3tKWHKpFuWf6UKY/s1600/nurse.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Cm8cRO60ep3S5jT60uegZSS1B7de4j8ljBs-2NcKb5zak68UnRn-dSCyRsr_cn2J8YtEeE6P0-8roBMHiDzvnPkRmyKxy7I0GjE3D50GoUqKfcSdR0G5XRck13qgIEQ3EufH3d7oFpc/s1600/smoke.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0Cm8cRO60ep3S5jT60uegZSS1B7de4j8ljBs-2NcKb5zak68UnRn-dSCyRsr_cn2J8YtEeE6P0-8roBMHiDzvnPkRmyKxy7I0GjE3D50GoUqKfcSdR0G5XRck13qgIEQ3EufH3d7oFpc/s640/smoke.jpg" width="640" /></a></div>infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com0tag:blogger.com,1999:blog-843905359344250460.post-25297705949888607032010-11-06T09:09:00.000-07:002011-01-26T01:02:28.104-08:00..?>//brainstorming.<!!<div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">So I started thinking about what to do, just basically mapping out what I was interested in both ascetically and on a more personal/political/critical level. I thought in terms of movements/aesthetics but also in terms of theme and cause...</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #8e7cc3; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><b>expressionism</b></span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Since my first year discovery of German Expressionist film I have developed a huge fascination in the conflicting relationship between light and dark and a love for the aesthetic of shadows, movement, shade, and the exploration of the sinister, the psyche, and the forces of societal discomfort. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"> </div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTFKMDjubJ-h4ByuNCpJW8ym9HoSx3Ixm8m5ipsYz9WO-Ji5hUYkqKfJ5Mf-6xZrq4nTSkuxqhjorik763BQCvFJquQfOx5zeLAP018txSFHZBQF3CZXJrOVEa5uTvpEBF6u0d0t4QC8k/s1600/Caligari.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTFKMDjubJ-h4ByuNCpJW8ym9HoSx3Ixm8m5ipsYz9WO-Ji5hUYkqKfJ5Mf-6xZrq4nTSkuxqhjorik763BQCvFJquQfOx5zeLAP018txSFHZBQF3CZXJrOVEa5uTvpEBF6u0d0t4QC8k/s320/Caligari.png" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjIrXc-4M5a2JhsG0rb8lpU7zMee_2x6G8WSHqj-vkwZkF9jqCUMX-LEqVYOO-w6jLwyZU2QzOchtQSvLm89ISIlarX92u-OVtXeoHj4nsxDeGa8l71Fms9xfqIwbvyTIvb1MuvAEvZkeA/s1600/Picture+1.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
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</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;">left: a still from The Cabinet of Dr. Calligari, Robert Wiene, (1920).</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;">below right: a still from Nosferatu, F. W. Murnau,</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;">(1922).</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: x-small;">below left: a still from Faust, F. W. Murnau,(1926).</span></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjohpzWkHvDxZ6aXrjmFSi1J2Kn89g8WpACCviIXBnBkBf5y4gXUj71nr28jj5JuYBvSPabp7ho0OfszfWEtkLFELBU6i-cyVzRhyphenhyphenyRxW2AWo-jxi_RsoMLmx0XXA6CUeNym5gENhJ6JpU/s1600/Picture+2.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><br />
</a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKWc32pY4tjfas4dSl49tr-MFKx2ZkXtIsuydyMVLRXlgg8TqjqfVZSQILqA-1koi23MZ4tBLbuCkzSFpfPZ4sCMF-CUl3OQr7iQW7feBa5cfXHsXMQdzF8-NLlNDXzTcay8T3RRPDbCg/s1600/Picture+1.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="229" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKWc32pY4tjfas4dSl49tr-MFKx2ZkXtIsuydyMVLRXlgg8TqjqfVZSQILqA-1koi23MZ4tBLbuCkzSFpfPZ4sCMF-CUl3OQr7iQW7feBa5cfXHsXMQdzF8-NLlNDXzTcay8T3RRPDbCg/s320/Picture+1.png" width="320" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">I love the power of these images, using shape and light to imbue a deep discomfort whilst engaging the viewer almost to the point of mesmerisation.</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">As an aesthetic I feel expresionism would be a really exciting course to take with my project and I feel it'd give me lots of freedom to explore both documentary and studio based work. However, an aesthetic it is, and it'd need substance, a subject, causality. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;">Below left: Zebulon Rouge</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;">Below right: Frantisek Drtikol</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWD1iFLHy0hcp95VHjHTqKPxs_G49GuoFsI_8IzseWBxCSP6nzX7Mk3PMtM_K77e0AJm7L6nLWOhxDK64JfWRkBQj_Mk2-vzrXZiAVtQZPjJQceBDwHAPx-lkzp13_6_zgHTWE35IdzU/s1600/zebulon+rouge+1.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhEWD1iFLHy0hcp95VHjHTqKPxs_G49GuoFsI_8IzseWBxCSP6nzX7Mk3PMtM_K77e0AJm7L6nLWOhxDK64JfWRkBQj_Mk2-vzrXZiAVtQZPjJQceBDwHAPx-lkzp13_6_zgHTWE35IdzU/s320/zebulon+rouge+1.png" width="315" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3QCoKj1YGqQndkBqeUb9zJt0DTxQPPpsWpSAPnk2KqnCn6_beQ2qa0rrV7SxR6BxGHFqj_-H7rmI8u3A79loNFOIDxxS_2R-KxdOFjTLhanl1KlcEy_nBs7K40RaZVUfYsREfDYKe27o/s1600/Frantisek+Drtikol.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3QCoKj1YGqQndkBqeUb9zJt0DTxQPPpsWpSAPnk2KqnCn6_beQ2qa0rrV7SxR6BxGHFqj_-H7rmI8u3A79loNFOIDxxS_2R-KxdOFjTLhanl1KlcEy_nBs7K40RaZVUfYsREfDYKe27o/s320/Frantisek+Drtikol.png" width="249" /></a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: left;">Below are several photographs I've taken with elements of an expressionist aesthetic in mind. Whilst they do not exhibit many classic expressionist marks, they draw focus on shape, the tension between light and dark and some sense of the dramatic. The latter being a huge element of expressionism (within film and photography), images within this style are most commonly of 'set-up' scenarios; either within studios or at least with preconceived lighting and staging. To this point i've not orchestrated any such event, and as more documentative in nature the images below draw on as opposed to embody a full 'expressionist' structure. Depending on how ideas continue to develop I may consider using a studio and lighting in order to experiment further. </div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: left;"><br />
</div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPUDgioV0UrpaisxDoVd9Y842c7Q0E77gjf_2ZUCMzOjkGEQ9Xi1njXJp_49oE9quuXEM59lDLuqvcQKFQXHfXEbO3AIcKVzAKYPyJCkA7R2sn7m20kmx3Oc_E8871aXicklNtK9omi5M/s1600/glass+branches.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="412" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPUDgioV0UrpaisxDoVd9Y842c7Q0E77gjf_2ZUCMzOjkGEQ9Xi1njXJp_49oE9quuXEM59lDLuqvcQKFQXHfXEbO3AIcKVzAKYPyJCkA7R2sn7m20kmx3Oc_E8871aXicklNtK9omi5M/s640/glass+branches.jpg" width="640" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeHbVKdtRGJYYY73Uc_-yZz9rgb2qeQF1jKlPqEskN0a2wYAnt2KWL_51rOT13TiuUfzQGagnh9fmfvZi8rcn4lmEKNdST5a4kxktzwvl679Jxb9NkPVowttJY8c8Nea6JyBT1V7OcqlE/s1600/akbars.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeHbVKdtRGJYYY73Uc_-yZz9rgb2qeQF1jKlPqEskN0a2wYAnt2KWL_51rOT13TiuUfzQGagnh9fmfvZi8rcn4lmEKNdST5a4kxktzwvl679Jxb9NkPVowttJY8c8Nea6JyBT1V7OcqlE/s640/akbars.jpg" width="640" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPUDgioV0UrpaisxDoVd9Y842c7Q0E77gjf_2ZUCMzOjkGEQ9Xi1njXJp_49oE9quuXEM59lDLuqvcQKFQXHfXEbO3AIcKVzAKYPyJCkA7R2sn7m20kmx3Oc_E8871aXicklNtK9omi5M/s1600/glass+branches.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"></a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkVdnysliIX1st-I3cLE4UFUtGgIi3rLf1cKS2XVHMA11eLGoRbQ0eqBJe_k8mwJxTqgZDc8OGFE6_y_UMUdrk1-dmlbDNIwFt8-1OaJm6gvHHnUd3GVNYNMXeaY4aIxtDOXRLr0s7yQ/s1600/DSC_9009a.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPkVdnysliIX1st-I3cLE4UFUtGgIi3rLf1cKS2XVHMA11eLGoRbQ0eqBJe_k8mwJxTqgZDc8OGFE6_y_UMUdrk1-dmlbDNIwFt8-1OaJm6gvHHnUd3GVNYNMXeaY4aIxtDOXRLr0s7yQ/s640/DSC_9009a.jpg" width="640" /> </a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
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</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2sel9c_oFRtDLBF5FqQmqaiqnun95tfO_Vr_mYYouUPuaaS3cwhaOtNZ6LqaFAXm2185uc7nKjbtdGQz5bN2_O1yOseyAwSH3O1BQc5UQPTG0E2rCim_BNxAy8hhiLCJHnPkay_oAYeA/s1600/DSC_9061bw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2sel9c_oFRtDLBF5FqQmqaiqnun95tfO_Vr_mYYouUPuaaS3cwhaOtNZ6LqaFAXm2185uc7nKjbtdGQz5bN2_O1yOseyAwSH3O1BQc5UQPTG0E2rCim_BNxAy8hhiLCJHnPkay_oAYeA/s640/DSC_9061bw.jpg" width="640" /> </a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
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</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9gSyouhWwM0uxZKGV9lgbn9nJiGqmKAbHdLRq070RM4vnYmxCUq-Dnun4BX_8H8xgWyN37fVXpDhksDCZnUqGV_QTi4R1ho8jw3VJApWSxFrb6A-fomHZ_3kSaPOQ-VNjRvXZoK0_xE/s1600/DSC_9066.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjT9gSyouhWwM0uxZKGV9lgbn9nJiGqmKAbHdLRq070RM4vnYmxCUq-Dnun4BX_8H8xgWyN37fVXpDhksDCZnUqGV_QTi4R1ho8jw3VJApWSxFrb6A-fomHZ_3kSaPOQ-VNjRvXZoK0_xE/s640/DSC_9066.JPG" width="640" /> </a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkty5i-rytyuL7FdJcJMsJ99LA4VIgLP3ax0xpKsVcvIhmCTzIS_c5uZn7jUy5gmNPoBjvSsvgeGaRWwi1jaUqzuk64p02V4v7DHDm-ASy2MkQDwZgxP01SzaabsFAKvbY9X1ysSyQAlE/s1600/DSC_9192bw.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkty5i-rytyuL7FdJcJMsJ99LA4VIgLP3ax0xpKsVcvIhmCTzIS_c5uZn7jUy5gmNPoBjvSsvgeGaRWwi1jaUqzuk64p02V4v7DHDm-ASy2MkQDwZgxP01SzaabsFAKvbY9X1ysSyQAlE/s640/DSC_9192bw.jpg" width="424" /></a> </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
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</a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj3QCoKj1YGqQndkBqeUb9zJt0DTxQPPpsWpSAPnk2KqnCn6_beQ2qa0rrV7SxR6BxGHFqj_-H7rmI8u3A79loNFOIDxxS_2R-KxdOFjTLhanl1KlcEy_nBs7K40RaZVUfYsREfDYKe27o/s1600/Frantisek+Drtikol.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><br />
</a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijxcLY5aXO5CX2_0oKX6OsxmQAKs3LotA9KvLXp53Gy3FfQqoKau_3-YK7ij7EeSueU57J15Xj3eX2TxXHV81uAKgc_iAX1olPLba81LEY-LtaHyJdRCDNkYyYkyS2QlTQCwBfm0-aFnw/s1600/shadows.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEijxcLY5aXO5CX2_0oKX6OsxmQAKs3LotA9KvLXp53Gy3FfQqoKau_3-YK7ij7EeSueU57J15Xj3eX2TxXHV81uAKgc_iAX1olPLba81LEY-LtaHyJdRCDNkYyYkyS2QlTQCwBfm0-aFnw/s640/shadows.jpg" width="640" /> </a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><br />
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</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuGTBLtc9Nm1D15vYVo1YRz85oq8Qit6kzbhjGjZIgxEZO4JX59_8pmBVrRKo-VuQ11R0oqlhqw2Izr9OMkO84MXKJsE5tkWAGcTvENadnVQAElhAD8MudLOYV-71lsuwyt_jNh5XHrpE/s1600/calling%5D.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuGTBLtc9Nm1D15vYVo1YRz85oq8Qit6kzbhjGjZIgxEZO4JX59_8pmBVrRKo-VuQ11R0oqlhqw2Izr9OMkO84MXKJsE5tkWAGcTvENadnVQAElhAD8MudLOYV-71lsuwyt_jNh5XHrpE/s640/calling%5D.jpg" width="640" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><span style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Featuring in almost all of these images, I've found trees incredibly powerful within the expressionist aesthetic, a power furthered by their deep bonds in mythology...this is potentially something I'd be really interested to pursue. </span><br />
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</div><div style="color: #674ea7; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><b>surrealism</b></span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">As close brethren of expressionism i'm also interested in surrealism, and in their union...</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_1QcDNbWWPJt160NyM2l7qO92AijacjkkHN8MDPaX6GvqagbSJnG3Xyr9i8DiqpNEA-F-Rn_2r9aKfM3-LFwkF2a-SBGlFd682TzP_IaEjKlRUnsMX4ZdBuhECYYlJtaTr6Bj2jUKNrE/s1600/Jacques+Andre+Boiffard.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_1QcDNbWWPJt160NyM2l7qO92AijacjkkHN8MDPaX6GvqagbSJnG3Xyr9i8DiqpNEA-F-Rn_2r9aKfM3-LFwkF2a-SBGlFd682TzP_IaEjKlRUnsMX4ZdBuhECYYlJtaTr6Bj2jUKNrE/s320/Jacques+Andre+Boiffard.png" width="243" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">I really engage with the founding philosophy of surrealism concerned with challenging the bourgeois conception of meaning. As my involvement with photography has developed over the years i've become increasingly challenged and inspired by the critical theory debates surrounding art and culture (to which i shall return later), and am most inclined towards the surrealist coalescence of striking aesthetic and powerful ideological underpinning. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;"><br />
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<span style="font-size: xx-small;">right: Jacques Andre Boiffard</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: xx-small;">below: Man Ray</span></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWmtteBLpGYgYvbRWu2L8wrwz5MQs-dQjtoB9MSfVS2X1jjwzJx66v9TZ8oxNGoOUwph0HVIg_vuFwBx8To4OPMgGTzIkbVAF_7Km5sxDoAaw8W7bnbzZkSQyy9UF72EubyE0AUqz7drQ/s1600/Dali.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWmtteBLpGYgYvbRWu2L8wrwz5MQs-dQjtoB9MSfVS2X1jjwzJx66v9TZ8oxNGoOUwph0HVIg_vuFwBx8To4OPMgGTzIkbVAF_7Km5sxDoAaw8W7bnbzZkSQyy9UF72EubyE0AUqz7drQ/s320/Dali.png" width="320" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">I've tried to find opportunities to experiment with surrealism but given it's nature it does really demand 'set-up' scenarios and a concerted construction. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Having been long involved with cultural and media studies, much of my involvement with photography comes from a perspective of critical theory. I am particularly interested in ideas of the authority of the physical reality (and from this the authority of the image).<br />
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What is the reality of the world around us? It seems quite likely there is not a universal one. I am interested in the way we perceive what is real, and furthermore how the photograph can have a tremendous role within this process. Can the camera ever accurately perceive? How do engage with the 'truth' of an image? Sontag argues that “...images are indeed able to usurp reality because first of all a photograph is not only an image, an interpretation of the real; it is also a trace, something directly stenciled off the real." (1982, The Image World, 350) Whilst<br />
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Sontag's concerns about the authored selection and portrayal of 'the real' are essential considerations for the nature of photography and it's role within society (especially from a journalistic perspective), I'm quite inclined to challenge 'the real'...our eyes are the mediators, be that first or second hand. It is then that surrealism in photography becomes particularly interesting, expanding it's deconstruction of bourgeois art and meaning to a deconstruction of the meaning on a much deeper level. I'd be quite interested to engage within surreal aesthetic from a locus generated more the concerns of the postmodern (than Marxist).<br />
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Although seemingly contradictory in era (surrealism being a 'suppressed' modernist movement), I believe the agendas of both overlap particularly in their disregard for the parameters of the metanarrative, and I'd be particularly interested in blending and bending both aesthetics and philosophies.<br />
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The the images below are not surrealist but they exemplify how i've been influenced by the desire to play with composition to influence subject...<br />
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</div><div style="color: #8e7cc3; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: large;"><b>multiples and moments</b></span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
"Where the hell has the time gone?". "F**k me, how is it 2010?"....I think fairly common thoughts of many. Traveling, university, traveling again... lots of stark changes in location, circumstance and self over the past four years have made me sense time (or a lack of it) more than I have ever known. I spent a while confused and almost angry at time for pulling me from a given place (both the fractional moment or wider experience) before I was ready, before I had even realised I was there. Over the past year or so this has given way to a somewhat more peaceful state of timelessness and the ever-presence of the moment. I'd be really interested to explore this wider concept and personal feeling through photography, using the camera to investigate the both the fractionality* and the all-ness** of the moment. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">* This is not a word, though I think it should be as I cannot find another to express the meaning 'the state of being fractional'</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">**I cannot find the word to use here that expresses what i mean; that the moment is everything and everything is the moment. Omniexistance? If you know words/have thoughts on this PLEASE comment as it really does help to have the tools (language) to express these ideas. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Notions of time have been explored vastly throughout photography from numerous perspective, below are just a few examples of some i've engaged with. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbR2FbAnJd6q2Mwba6RTYNaKNGQ-C522nxGS4iDiu4gXJw_UweQvvXE3cOCn-JN4_AagMvnMPGYJwBFbdP_YWq0KpfsPbcwnQLA-ALAJ1_IUVAx2hc-wq5vRGpMWxzaa3vKpkI6K_knA/s1600/Picture+8.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="211" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWbR2FbAnJd6q2Mwba6RTYNaKNGQ-C522nxGS4iDiu4gXJw_UweQvvXE3cOCn-JN4_AagMvnMPGYJwBFbdP_YWq0KpfsPbcwnQLA-ALAJ1_IUVAx2hc-wq5vRGpMWxzaa3vKpkI6K_knA/s640/Picture+8.png" width="640" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe_ORTSRV-_UDmWNeDMcBt7705Cqibxl8S_rvyqsG8rAbA8bC0GpM-T2bEuwaSxT5sYYE42Es_wYIhVSzMlMU1Va3oobPyPwrvuMB4gxoUHXyfJvSdFNn-VrIA11pF8dKVNV2U6XSKXZE/s1600/Bill+Sullivan.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="263" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhe_ORTSRV-_UDmWNeDMcBt7705Cqibxl8S_rvyqsG8rAbA8bC0GpM-T2bEuwaSxT5sYYE42Es_wYIhVSzMlMU1Va3oobPyPwrvuMB4gxoUHXyfJvSdFNn-VrIA11pF8dKVNV2U6XSKXZE/s400/Bill+Sullivan.png" width="400" /></a>Above:<b><span style="font-size: small; font-weight: normal;"> Breno Rotatori. Taken from the </span></b>Manélud series, in which he juxtaposes his own images with his grand mothers amateur images taken at the same moment. It lends itself to thoughts surrounding the authority of the camera and the photographer, multiple experiences of the 'same' moment, making me think of the richness of every instant and how photography can both reclaim and reduce this. </div><br />
<div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Right: Bill Sullivan. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">In this collection Sullivan uses elevator doors to frame fractionally different moments to dramatically portray a simple scene. Starting with the doors wide open revealing each passenger, subsequent images as the doors close in draw focus to a particular individual or fraction within the lift. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-ETWEu2jEUfJk23NQYySvn5QeLxCE5_vIkGki9WivVeTFu5x6I0Z12RgWNVqvp_1EF2k6-plNjEoApRKrSSoydMpYW7JfIxrjM43XxjnFNeZBAc7jDBAGafz545-bBxGiaulHt-G7Bs/s1600/hockney.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="265" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF-ETWEu2jEUfJk23NQYySvn5QeLxCE5_vIkGki9WivVeTFu5x6I0Z12RgWNVqvp_1EF2k6-plNjEoApRKrSSoydMpYW7JfIxrjM43XxjnFNeZBAc7jDBAGafz545-bBxGiaulHt-G7Bs/s400/hockney.png" width="400" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Left: David Hockney. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">In the past I have mostly considered this Hockney piece through postmodern critique, considering the breakdown of the meta-narrative of the one image/universal truth and our image-saturated reality. I recently looked at it in a different light, thinking of the ideas of how fractions of time are both so divorced and so unified at the same time, and how the camera has the power to illustrate this so wonderfully. </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEPPzg_VHV9D3zZC1Fz8ntTnZw-waVPoUHCEi75bGYVk_cqmlnXEqm3Bg75Dz1jeY4Ul_NGEJcPmd5q7HyV_YSWJv2j3zOeDrADGl7AXMd6bBM2v7LI5Y2QdYRWUsit4nxYiv-j8_ifQ/s1600/Picture+2.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFEPPzg_VHV9D3zZC1Fz8ntTnZw-waVPoUHCEi75bGYVk_cqmlnXEqm3Bg75Dz1jeY4Ul_NGEJcPmd5q7HyV_YSWJv2j3zOeDrADGl7AXMd6bBM2v7LI5Y2QdYRWUsit4nxYiv-j8_ifQ/s200/Picture+2.png" width="125" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBMaFTsIP5IJfczCWEOMwrnM0FRN_cTlPbWQ_vOn-2WuncutfwprP1mRIrXkR5KgbbdKt0M66l-WRJDfpXKM1mTD91CvLb2HB9NFRXk3oPN_cwENMQvwJd75Rz2jp4WEdYfFMCRtxDudY/s1600/Picture+3.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBMaFTsIP5IJfczCWEOMwrnM0FRN_cTlPbWQ_vOn-2WuncutfwprP1mRIrXkR5KgbbdKt0M66l-WRJDfpXKM1mTD91CvLb2HB9NFRXk3oPN_cwENMQvwJd75Rz2jp4WEdYfFMCRtxDudY/s200/Picture+3.png" width="109" /></a> Considering this now I do think that much of this work, powerful as it may be, is somewhat a 'one-trick pony'. Were I to develop ideas on this concept I'd try and set wide parameters (of subject and method) in order to avoid just reproducing ideas of others/the same idea of my own repeatedly<b>.</b></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: left;"><br />
</div><div style="color: #8e7cc3; font-family: Georgia,"Times New Roman",serif; text-align: left;"><b><span style="font-size: large;">junk/things out of place</span></b></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">One of the ways I approached thinking about my dissertation project was thinking about what i liked on a more basic level; leaving out the academic side of things to start with something real and raw to me. Well, I like junk. In fact, i'm fascinated by junk; how it looks (and more importantly, how it has come to look this way), how it has been used, and how it has become 'junk'. Why are these items discarded, worthless? What is 'worth' anyway; how did it get there and how did it get lost? In times gone by the answer to this may have been simple; worth is use, purpose, functioning. But in the post-industrial society of consumers of today this is not the case.</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
A few weeks ago I stood at the Meanwood road recycling centre and watched a man pull a wide-screen silver television by its cable across the centre court to a collection of varyingly similar models stacked outside a carrier. My mind flashed back to the Curry's 2006 Christmas catalogue where these very models gleamed out of the pages, sale savings and promises to complete that 'ideal family day'. Now bumped along the concrete, a new High Definition Flat Screen Plasma Super Duper model smirks over the fat little 32inch. It wasn't broken, it wasn't even old - i've had tins in my cupboard longer than the now bastard Toshiba sat on its slinky Ikea stand. Worth, it seems, now has absolutely nothing to do with use.</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvwP4qsAqe4_3VKZYUcWtZVEIVQKTi20t2F_k0ibY_DTDgd2xtVRdg0iJwPWbRrQ5RBQ1UvyCzcgoeZ_qrhhwZSblRIUAHRGHyL4F_MNvseaFsIdGpTeAUpyti7e9aL4I-I9UeT35TerM/s1600/Picture+4.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span id="goog_233197786"></span><span id="goog_233197787"></span></a></div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKxWi3aTS25P8Zkx_TLklBrhtECSzR24zADJcCwBzDyshHAbyKCz7gg4rTA1nRsOfeuvYaxpv8kxN0TE-nKtTBAkLLtu4b1FHZ5J8sAE9f7XExCSNFdlKPau8ZSkxYjj0333ozs2Ukj1U/s1600/Picture+5.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiKxWi3aTS25P8Zkx_TLklBrhtECSzR24zADJcCwBzDyshHAbyKCz7gg4rTA1nRsOfeuvYaxpv8kxN0TE-nKtTBAkLLtu4b1FHZ5J8sAE9f7XExCSNFdlKPau8ZSkxYjj0333ozs2Ukj1U/s200/Picture+5.png" width="200" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">It is this issue of meaning and place that really does interest me. Consumption, and it's ugly junky spawn, is rife. But few bother too question it. Too busy at B&Q maybe. I wanted to take photographs of junk, not just in itself, but what it was a symptom of, what it meant, how it reveals some intricate happening in our society. Meaning.<br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcwtUfTAX2oWUcmBOh0fxz1SM4Z-fXW9JDBoZZVJWk5U8NWsEBx4Eadz7Z25ouTbx8W_HxYWwHbR58zMw9WPQ4vPEjCYUAUN-1SAZApLzzoNubrYUCFUjpu0531oq-G4VQsie6bJe0F0/s1600/Picture+2.png" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggcwtUfTAX2oWUcmBOh0fxz1SM4Z-fXW9JDBoZZVJWk5U8NWsEBx4Eadz7Z25ouTbx8W_HxYWwHbR58zMw9WPQ4vPEjCYUAUN-1SAZApLzzoNubrYUCFUjpu0531oq-G4VQsie6bJe0F0/s320/Picture+2.png" width="320" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"> As I continued to muse on this, i started to think about the relationship (the unity and separation) of material 'thing' and immaterial 'meaning'. It is a fairly well established thought that nothing within the physical world has an inherent meaning as such (i am not talking about the realms of science that there is no structure or root of the physical), but that what we understand of it is a social construct. Nothing changes in the 'thing' but it becomes junk. I start thinking too about context; about the placing of said 'thing' and it's effect on meaning (valuable or junk that is).</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
</div><div class="separator" style="clear: both; color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx2tqugW1r1IBNbaFjc0jy6IU02Eot2MwwQHEfc5sU1SRdV1nvqG4_ct7HUZ7IAUWTc93C42VUqNm-65rURoLFSEBwWJdnqi9qcWm90mlQUzYLn2bNcESIRjfujVprgzb3_tGeHhX9SlU/s1600/Picture+1.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="235" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjx2tqugW1r1IBNbaFjc0jy6IU02Eot2MwwQHEfc5sU1SRdV1nvqG4_ct7HUZ7IAUWTc93C42VUqNm-65rURoLFSEBwWJdnqi9qcWm90mlQUzYLn2bNcESIRjfujVprgzb3_tGeHhX9SlU/s320/Picture+1.png" width="320" /></a></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br />
</div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOOxrpqAjmnXgws7ChVXcxvHyT0pjZm0S2qILhiwJIbYmFqXFi8ajjOfpakqo9untIouO8PEh6M_Fl-F-bKGZq93kczo7O6z-gghM3IUCw7iJbNrseigrrWduNoVyn0MS4fgQzlVnZU8/s1600/Picture+1.png" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgGOOxrpqAjmnXgws7ChVXcxvHyT0pjZm0S2qILhiwJIbYmFqXFi8ajjOfpakqo9untIouO8PEh6M_Fl-F-bKGZq93kczo7O6z-gghM3IUCw7iJbNrseigrrWduNoVyn0MS4fgQzlVnZU8/s320/Picture+1.png" width="320" /></a>One streak of this junk creating is the need to continue to consume e.g. buy a new tv). But there is another; the dependence of worth on physical location. Think about food; packaging that offers indulgence, well-being and health, chic urban living, or hearty old fashioned comfort food sings to us from brimming colourful isles. Advertisements that set it in the home, at the party, or on it's own staged being sexily drizzled in some delicious sauce. This food is desirable, it's a lifestyle choice, a reflection of your personality, a friendship maker, a romance aider. <br />
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But this meaning is only given in certain contexts. That healthy sexy comforting indulgent<br />
morsel falls on the floor, gets put in the bin, falls on your lap, leaves traces round your mouth and all it's promise, desire and worth is lost. It is now wrong, socially uncomfortable and disgusting. The exact same physical thing becomes something completely different just through being re-located in someway. This is the contextuality of meaning, and it extends far beyond food to virtually all realms of the physical thing.<br />
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<span style="font-size: xx-small;">[From princess to landfill. Above; Chris Jones @ Flickr, Below; AboutDoll@ Blogspot] </span><br />
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<span style="font-size: xx-small;"><span style="color: #351c75; font-size: small;"><b>Junk</b></span></span><br />
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<img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnAU2P8JIiL9QQUue6m3aEOvZcpX0IUU5yAOMnWDMnL9GANkriPlTjba_Cj7GbzDA1gBUAoJrTXWyC0s278JXTN6RmlrWBUfhIrBDJxhkTIY-bO4_RgDeoIppCUuOx65tK1tUyL1rM_L8/s400/iron+airer.jpg" width="262" /> </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"> </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"> </div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;">Yes, meaning has always to some degree rested on location, but the force and ubiquity of this contingent has proliferated to a new realm with late capitalism. Our branded world now buys and sells symbols, tokens for imagined communities and performed hypothetical identities. The material is now just a vector for an immaterial meaning. Although the the value of the physical has been removed, it stills holds meaning in carrying meaning, it's meaning making role is now a purely physical one - thus the essential importance on its location.<br />
It is the collision of these paradigms that really interests me, the disruption of correspondence makes them visible, and opens the system up for investigation and challenge. I want to explore this issue with my camera to find and expose those glitches in the matrix. <b>I've seen designer clothes left on street walls, homeless men carrying Waitrose 'bags for life', a fish through cellophane wrapping swinging in a bag down the street, they intrigue me as to how meaning moves.</b></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><br />
When I was thinking about this, looking to clarify my stream of thoughts, I came across this word which succinctly portrays what i'm looking at :<br />
</div><div style="color: #351c75; font-family: Georgia,"Times New Roman",serif; text-align: center;"><span style="font-size: x-large;"><b>vicissitude</b></span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;">noun (usu. vicissitudes)</div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><span style="font-size: small;">a <u><i>change of circumstances</i></u> or fortune, typically one that is unwelcome or unpleasant</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif; text-align: center;"><span style="font-size: small;">poetic/literary <u><i>alternation between opposite or contrasting things</i></u></span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;">It really resonated with me, and although having informally decided that this topic was to be the founding of my project, set the concept of 'vicissitude of meaning' as a core theme. </span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><span style="font-size: small;"><br />
</span></div><div style="color: #444444; font-family: Georgia,"Times New Roman",serif;"><b><span style="font-size: small;">I do not wish to simply </span>use the photograph as a vessel for these abstract ideas, i want to explore the medium itself through them</b>. <span style="font-size: small;">Through the exploration of the relationship between the material and immaterial i want to:</span><br />
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<div style="color: #351c75;"><b><span style="font-size: small;">- consider the role the photograph plays in constructing and negotiating this relationship</span></b></div><div style="color: #351c75;"><b><span style="font-size: small;"> </span></b></div><div style="color: #351c75;"><b><span style="font-size: small;">- explore how </span>photographic institutions (art and commerce)<span style="font-size: small;"> structure contemporary consumerist society </span></b></div><div style="color: #351c75;"><b><span style="font-size: small;"> </span></b></div><div style="color: #351c75;"><b><span style="font-size: small;">- deconstruct the photographic aesthetic and explore the arbitrary nature of meaning and </span></b></div><div style="color: #351c75;"><b><span style="font-size: small;">idea of 'worth'.</span></b></div><div style="color: #351c75;"><br />
</div><span style="font-size: small;"><b><span style="color: #351c75;">- renegotiate the process of how photographs construct the meaning and worth of objects, individuals and actions. </span></b></span><br />
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</div>infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com4tag:blogger.com,1999:blog-843905359344250460.post-16330502668104901412010-10-16T07:39:00.000-07:002010-10-16T07:39:54.245-07:00hello, world.Of all the times I'd of thought to start a blog, the last would've been for my dissertation. But the Institute of Communication Studies is apparently more down with the cyber kids than previously known, so here I am, entering the world of online consciousness-streaming in the name of my degree.<br />
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That degree being a BA in Cinema, Photography and (a less present) Television, the dissertation takes form as a photographic project, a coalescence of the academic and the vocational to result in a 'Photo-Book'. As well as entering underrepresented world of the coffee-table book, I'm hoping this project shall manifest itself in some larger physical form within the city, but i'll leave that aside for now. <br />
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The point of this blog, I have decided, is to enable the mapping of a handy linear narrative of all that's going in mind and on lens, complete with my musings as to what they mean. I think i'll also post up images of inspiration or relevance in some form, trying to fuse the creative and academic components of my project journey in one easy bite-sized scroll. <br />
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In the name of our thrilling interactive globalised world I encourage you to give me all the feedback and critique you feel to, though do bare in mind my tutor shall be reading and engaging with this space too, so nothing inappropriate kids.infinitahttp://www.blogger.com/profile/03862745057996569002noreply@blogger.com1